Always happy to get a review from International Noir Fiction—Glenn Harper’s analyses are so thoughtful and smart!
Brackmann’s novel isn’t only dark and foreboding, it’s also human and humane. The characters take us along this difficult journey through their compelling personal engagement with what’s going on. And the action of the novel doesn’t indulge in the cliches of the genre: The twists and turns of the plot are uniquely Brackmann’s.
Brackmann’s previous two series, one set in the gaming and art worlds of China, the other a more straightforward pair of noir novels set in the drug trade of Mexico, the southern and western U.S., establish the writer’s conversational narrative voice, which continues in Black Swan, but the new novel has more urgency and more contemporary impact, as if this is a novel that Brackmann had to write. I don’t know of any other book that captures the actual social and cyber threats to democracy in the U.S. so effectively. We can hope for more, whether a sequel or a new angle on our times in future books.
